Noiseless Chatter Archive

As you folks know I’m pretty discerning when it comes to guest posts, but the slowness of new content and my undying love of Willy Wonka and the Chocolate Factory came together to convince me that this was one worth posting. Please welcome David Gerrard on behalf of TheatrePeople.com , with his look at differing interpretations of a timeless character, as we look forward to the premiere of the stage version in May. Speaking of which, if anyone does go to see it, let me know…I’d love to host a review. For the past 50 years, Roald Dahl’s 1964 novel Charlie and The Chocolate Factory has been a regular and beloved fixture on both our bookshelves and cinema screens. With two film adaptations under its belt, every recent generation has experienced the eccentric joys of Willy Wonka’s chocolate factory and the highs and lows of Charlie’s peculiar moral journey. Wonka himself has been depicted by the likes of Gene Wilder and Johnny Depp with varying levels of intensity and the ch

Another article from Ben Gallivan , and let’s hope we get a lot more. In hono(u)r of the eighth series of Peep Show which begins tonight, here’s Ben to accomplish something I never could: write about an applicable subject in a timely way. Take it away, Ben! It all starts quite simply; customer tentatively awaits the decision on a loan under the withering eye of the bank manager. The desperate inner thoughts of said customer for all to hear, despite the role-play scenario in front of a dozen or so colleagues. So, Mr Corrigan… We’ve examined your loan application and I just have one question for you. Are you a pathetic, worthless punk? In a normal situation, this would make Mark Corrigan’s heart jump into his mouth but, of course, it’s all fakery. Instead, the endless barrage of insults directed at him leads him into some kind of homoerotic fantasy. The fact that he is called a “turkey fucker” almost sends him into an orgasmic state. This, ladies and gentlemen is the pow

So! I’ve been quiet, eh? I’ve had a few things going on personally but with those squared away the updates should be a little more regular. That’s good. But I feel guilty about how little’s been going on here recently so, some updates: – I’ve got an interview with Bernd Geiblinger of Bplus games coming up. His new release, Bit Boy!! Arcade (pictured above) was slated for a holiday 2012 release but has slipped into 2013, hence the delay. Bernd is a bit of a polarizing figure in games but he’s always been man enough to face his critics head on, which is a hugely respectable thing. I’m looking forward to the new game and the interview, and I hope you are too. – I should have two new posts going up this week…neither of which were written by me because I’m shit. Still, I hope you’ll enjoy them…one of which is by friend of the website Ben Gallivan and the other is from a new guest author. Say what you will about guest posts…they at least keep the site alive when I

On November 8, Conan O’Brien presented another batch of skits based on the concept of a new director taking over Star Wars . The moment he debuted this concept I knew Wes Anderson was coming, and, sure enough, we eventually got him. (Though, I have to admit, the Woody Allen one is still my favorite.) Anyway, Conan’s Wes Anderson parody is very clearly the work of a true fan. It doesn’t just hit his basic themes and atmosphere — which would have been funny enough on their own — but it contains a wealth of smaller details, many of them relatively obscure. So I thought I’d take a moment to itemize all of the ones I was able to recognize. And please do let me know what I’ve missed in the comments below. We open with the drawing of a red curtain, a clear visual reference to Rushmore . The music is also an obvious echo of Mark Mothersbaugh’s score for that film. Once the curtains part, however, we get a reference to The Royal Tenenbaums with a formal invitation on a tabl

When I was a boy, and when Dwayne Hoover was a boy, all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month. It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind. Armistice Day has become Veterans’ Day. Armistice Day was sacred. Veterans’ Day is not. So I will throw Veterans’ Day over my shoulder. Armistice Day I will keep. I don’t want to throw away any sacred things. –Kurt Vonnegut, Breakfast of Champions

I think it says everything about Red Dwarf X that “The Beginning” floats to the top mainly because it wasn’t outright terrible. In fact, at times, it came pretty close to being good, and it sustained that pretty-close-to-being-good level of quality about as well as “Lemons” did. That’s definitely welcome, as even though Red Dwarf X feels like an enormous misfire to me it’s nice to end on a high note. Unfortunately that high note really is relative, as “The Beginning” is marred by the same kind of misjudgment that gave us Lister on hold in “Trojan” , Taiwan Tony in “Fathers and Suns” and the crew clowning around to silly music in the aforementioned “Lemons.” Doug Naylor must not feel like he’s writing comedy unless somebody on set is broadly mugging, speaking with an exaggerated accent, or just generally acting like a desperate circus clown regardless of actual context. Here in “The Beginning” that’s manifested early on with Hoagy the Rouguey, or however that’s meant to

I’m honored to have the chance to speak here with Andrew Apanov, the brains behind the Dotted Music digital marketing agency. Andrew’s latest — and largest — project is a series of short, documentary-like videos called Stand Above the Noise . It’s this fascinating endeavor that we discuss mostly below, but we also find time to ponder alternate histories, desert island meal allowances, and, of course, the accordion. 1) What, in your opinion, separates Dotted Music from any other digital marketing agency? I think there are two things to it. The first is how the agency came out and the second is how it is organised. We didn’t start as a music business entity, or a business at all. And we didn’t create a blog to attract new clients as it usually happens. Instead, the blog has been the core of the brand. I launched Dotted Music with an aim to educate musicians around the world, not having a single idea what it would turn into three years later. Then I just felt the need to p

It’s election day here in America, so make sure you get out and vote. It’s important. I learned that the hard way, since the first election I was old enough to vote in was Bush vs. Gore and I did not cast a ballot, assuming democracy would sort itself out. We all saw how well that went, so I won’t be missing any — admittedly small — opportunity to shape this country’s future again. Anyway, some of you may have seen this before as it’s certainly nothing new, but it’s been circulating again in light of election season and, at last, I’ve felt compelled to respond to this thing. It’s ostensibly a letter to the editor by one Ken Huber, but I’m not entirely convinced it was ever published anywhere. Regardless, I think it pretty accurately reflects a certain type of mindset, even if the particular words don’t belong to the person to whom it’s attributed. And it’s a dangerous mindset. A rotten one. I thought I would take a moment to reply. The text is viewable in the ima

We are now introduced — though not immediately — to the other driving narrative here in The Life Aquatic . Up to this point, the film has been suggesting that our story will be one of revenge, with Steve seeking out and destroying the monster that ate his friend. And just in case we’ve forgotten this, Captain Zissou gets a big, dramatic moment in which he declares his intent to his crew…just before we see those intentions derailed by the arrival of probably-his-son, Ned. This is a Wes Anderson film, however, so when a lost and confused son meets at last with his distant father, we know that that’s going to take narrative precedence over anything we might have seen already. Sure enough, it’s the relationship between Steve and Ned that drives the film, pulls us forward, and provides the characters with their real journey. The scene opens with a small after-after-party aboard the Belafonte . As we’ve discussed previously, this is at last a chance for Steve to exercise