Noiseless Chatter Archive

Howard did everything right. That, I think, is worth keeping in mind. Whatever else the man might have struggled with, whatever his personal flaws as a human being, whatever his worries and suspicions, he did everything right. He let things slide when he thought Jimmy was just working through grief. He gave Jimmy his way many times over. He extended olive branches. When he understood that he was being targeted in a more serious way, he stooped down to Jimmy’s level, hoping to resolve things physically while still treating him fairly. He hired a private eye to make sure he knew what was coming. And when everything fell down around him, he still drove to his tormentor’s house with a bottle of wine just to ask one question: Why? Howard was there to start a fight, sure, but not a brawl. Howard just wanted to know. To understand. He wasn’t worried about what would happen next. He’d land on his feet. (He was certain of that.) But he wanted to know why. He’d done his best many t

“Axe and Grind” — which definitely is not stretching the title gimmick of this batch of episodes no why would you even ask that question — is less of a standalone story than it is the first half of a two-part mid-season finale. That’s okay; that’s not a failing. The breaking point at the end of this episode isn’t the night before the big day; it’s partway into the big day, just as Saul and Kim’s plan shows the first sign of unraveling. We’re brought just far enough around the bend that we can understand that the “unfinished story” aspect of the episode is deliberate. All of that is fine. In fact, I liked a lot about “Axe and Grind.” However, it’s extremely difficult to appraise on its own merits. Eventually we will all have our Blu-rays or streaming options and we’ll barrel right into “Plan and Execution” after the credits roll here. “Axe and Grind” will only really feel unfinished once, and that’s right now. Such is the nature of serialized television. I can live with t

There’s been a bit of talk in the comments about how much better this show could be if it focused less on the characters we already knew in Breaking Bad . Let me be clear up front that I agree, but I think it might be worth discussing. (It’s also, coincidentally, a discussion that ties right into “Black and Blue.”) For starters, I have had that exact same thought, going back as far as Tuco’s surprise appearance in the very first episode of this show. I don’t mean to dismiss it as a criticism. It’s a fair one. However, there’s one thing worth pointing out before we dig in: This is what Better Call Saul is. The folks involved with determining the creative direction of Better Call Saul have decided that we will dig up some Breaking Bad characters and follow them — to varying degrees — through this show as well. We can disagree with that impulse, certainly, but it is the impulse, and if we are going to engage with Better Call Saul , we need to be able to accept that. If we ca

Last week, I closed out my review of “Rock and Hard Place” with this observation: “This is our second week in a row without Eduardo. We know, ultimately, where he’s headed, but it will be interesting to see who he visits first.” I obviously had no idea that that would be the central question of “Hit and Run,” but I feel pretty darn satisfied that it was! Of course, this is now three weeks without Eduardo showing up, and every second that ticks by only increases the tension for everyone who is waiting for him. In the audience, yes, but also in the show. I am now wondering if, in “Wine and Roses,” Eduardo telling someone to shave so that he’d resemble him was a slight mislead. I and others were led to believe that Eduardo would use the man as a corpse, tricking people — at least briefly — into thinking that he himself had died. This ploy would have to fall at numerous hurdles that Better Call Saul (like Breaking Bad ) is typically good at navigating, though. The man’s denta