Rule of Three: Purple People Eater (1988)
Though my Rule of Three theme this year has been films based on novelty songs, I haven’t actually talked about how these films use their own source material. I don’t mean that I haven’t talked about how they adapted their source material — I won’t fuckin’ shut up about that — but rather how these films use the actual songs upon which they were based. In Harper Valley PTA , for instance, the Jeannie C. Riley version of the song plays in its entirety during both the opening and closing credits, bookending the movie…which itself contains scenes and characters so true to the song that lyrics are lifted entirely. It’s the “tell ’em what you’re going to tell ’em; then tell ’em; then tell ’em what you told ’em” approach, and I actually kind of like it. The original song brings us into the world of the movie and then out of it again, with the closing credits giving us a chance to reflect on how the film expanded on the germs of characterization the song gave us. That’s not a