Noiseless Chatter Archive

We got a great episode this week, and that’s very nice. But the lateness of this review means I’ve had more time than usual to think about it, and I’ve found myself with a lot of questions. That’s not at the expense of the show, or the episode, or anything, really. It’s just that at one point my thoughts came together…and then they had time to drift apart again. So I’ll run through my usual list of the things I enjoyed, but then I’d like to open a few things up to discussion. At this point I don’t think we have any correct or incorrect answers, but I’d definitely be curious as to other peoples’ thoughts. Firstly, I recant my observation last week that our nebbish, budding drug dealer would be season two’s main client. While that’s still possible, it’s much less likely after the events of “Cobbler,” which see Jimmy clearing him of criminal suspicion by inventing a legal excuse for the man’s nervousness and secrecy. And that could well represent the end of that partic

  ALF Reviews: “Future’s So Bright, I Gotta Wear Shades” (season 4, episode 18) See that screengrab? That’s the face Anne Schedeen makes after ALF delivers his first line. ALF’s line is nothing phenomenal, or surprising. It’s barely even interesting. Willie asks ALF how he’s doing, and ALF replies, “I’ll be better after I have some coffee and we talk about death.” And that screengrab is Anne Schedeen’s silent reaction. She holds that face for a moment. Then she shifts her eyes. Finally, she turns and walks away. It’s a perfect bit of facial acting. Whatever line she could potentially have delivered in response to ALF would have been a disappointment compared to what we actually got…this lovely moment of implied, quiet frustration. Her look asks the question she’s asking herself internally: “What horse shit am I in for this week?” Anne Schedeen has been a highlight from the very start of this show. I still remember that dumbass scene at the end of the first episode, with everyone cracki

I admit it: I picked a damned terrible season of The Venture Bros. to review in this format. Not because it’s been a bad season — it’s been very funny on the whole, and never less than interesting — but because there’s so little to appraise in isolation on a week to week basis. The Ventures aren’t jetting around the world getting into scrapes, they’re not beset by villains of the week, and complications are raised without being resolved. That’s the nature of the story Doc and Jackson are telling this season. It’s not a problem. In fact, it’s exciting . The lack of a 22-minute hard stop for all of their ideas must be liberating; whenever they need more time to develop an idea, they let it bleed into the next week. And the week after that. These are good things. But man does it make it had to look at it in weekly chunks and speak about it intelligently. Like any story, you need to look at where it’s going before you get the whole picture. In the absence of knowi

Running a website is its own reward. As you know, I just need to turn on my computer and lots of money and sexy ladies and respect come tumbling out of the screen and into my lap. It’s great and you should all feel pret-ty envious. Probably even suicidal. But it has its…less rewarding aspects as well. Mainly the investment of time and money to keep it operational. Time is not exactly a rigid requirement, I admit. Yes, it can take me several hours of work for an ALF review, or several days of work for a Fiction Into Film, but on the whole it doesn’t take too long to sit down and write something. However, if I am sitting down to write something, that’s time I’m not spending writing other things…whether those are personal projects, freelance work, or just the emails I owe friends who at this point definitely assume I’ve died. Then there’s also fresh air (whatever that is) and a social life, or reading, or watching movies or playing video games or, basically, experien