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Showing posts from December, 2012

In Retrospect: The 12 Days of Christmas

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Merry Christmas, everyone! I just wanted to take a moment to thank all of my friends, collaborators and readers for your help and contributions during my 12 Days of Christmas feature. I was a bit nervous about it since 12 articles spanning multiple collaborators was a daunting prospect, but not only did everyone deliver as promised, but the writing was fantastic and the episode selections were wonderful. Thanks to everyone who wrote or read anything…I genuinely appreciate it, and I thank you so much for helping me to make this the blog that it is. The feature ended yesterday because…well, I figured nobody in their right minds would bother to visit Noiseless Chatter on Christmas. (There’s a lot of porn you should be watching instead. And family time, I guess.) But just in case you’re here, I’d like to offer a sincere and warm thanks for being such a great audience. Here’s to lots more growth in the new year. And in case you missed it, or would just like to relive so

Day 12: “Blackadder’s Christmas Carol,” Blackadder (1988)

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On the twelfth day of Christmas, Ben Gallivan gave to us… “Humbug!…Humbug!!! Humbug, Mr Baldrick?” Do Americans have mint humbugs? Do they sell them at confectioners in outdated imperial measures like they do here in the UK? Well, let it be known that I visited my local confectioners here in sunny Cardiff, UK earlier today and was charged a frankly extortionate £2.23 (around $3.60) for a tiny bag of them. No wonder Ebeneezer Blackadder is pissed (off). Anyway, to business. Blackadder and his compadres are something of legend in these parts. For the last 30 years, Mr E. Blackadder, Mr S. Baldrick and the other characters whose names and titles change with every series have become somewhat of a national treasure and with good reason. “Blackadder’s Christmas Carol” was set in between the Georgian era – that of Blackadder The Third and that of The Great War which featured in the never bettered Blackadder Goes Forth , planting us well and truly in the middle of the Victorian

Day 11: Dr. Seuss’ How the Grinch Stole Christmas! (1966)

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On the eleventh day of Christmas, Zach Kaplan gave to us… Every nerd has something they collect. Some try to track down every issue of their favorite comic book, some relish rare video games, and others are simply satisfied with collecting themselves after a brutal de-pantsing. I collected the work of Dr. Seuss. Growing up, my bookshelves were filled with all number of works by Seuss, both under his usual monicker and pseudonyms Theo LeSieg and Rosetta Stone. I had rare books like his risqué adult novel The Seven Lady Godivas , collections of his World War II-era comics and advertisements and a copy of his terrible movie, The 500 Fingers of Dr. T . My father would back-order out-of-print works for me, and my favorite place to visit was the book store. So, needless to say, How the Grinch Stole Christmas! was the only special that fully suited my youthful Christmas needs. Like most of Seuss’s books, How the Grinch Stole Christmas! outlined an important message: Christmas doe

Day 10: “Jazz Records,” Everybody Loves Raymond (2003)

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On the tenth day of Christmas, Ryan gave to us… Before I begin, I need to make it absolutely clear that I was hesitant in writing about this episode. Not because I didn’t have much to say, or because it didn’t affect me; quite the opposite in both of those regards, to be perfectly honest. It’s just that everything I’m going to reveal in this article is so pretentious and awful and disgusting that you’ll loathe me to the point of sheer hatred. You’re going to doubt the authenticity of what I’m about to admit, either due to denial or the hope that I’m not legally insane. I would make fun of anybody else for writing this same deconstruction, so I’ll wearily admit to my hypocrisy now. This is your warning. I’m sorry to spoil the grace and holiday charm you were possibly expecting, but this is going to be the worst thing you have ever read. An episode of Everybody Loves Raymond changed my life. Yeah. The show in question revolves around Ray trying to make up for a disaster

Day 9: “Pee-wee’s Christmas Special,” Pee-wee’s Playhouse (1988)

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On the ninth day of Christmas Philip (that’s, uh…me…) gives to us… When I was little, I loved Pee-wee Herman. And looking back, I’m pleased that I don’t have to wonder why. The show was, and is, a sheer delight. As Pee-wee, Paul Reubens taps into everything great about being a kid. The limitless wonder of daily life, the magic inherent in the world around us, and the sheer addictiveness of simple imagination. The concept that Pee-wee wasn’t a kid, but was an adult, was revolutionary to me; this was a grownup who understood. It wasn’t dad, or a teacher, or an uncle. They had jobs and responsibilities and things to do…and so no matter how much you might love them, they didn’t understand . There was always going to be a barricade, an age-defined breaking point between youth and adulthood. Pee-wee Herman didn’t bridge that gap so much as he simply existed in isolation. He was a glorious, addictively cheerful exception to reality. He epitomized something we, as child

Day 8: “Christmas Special,” The League Of Gentlemen (2000)

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On the eighth day of Christmas, David Black gave to us… In the run up to Christmas in the year 2000, The League Of Gentlemen published A Local Book For Local People and I wanted it. I was pretty certain that I wouldn’t get it for Christmas as my mother was unlikely to buy me a book that purported to be wrapped in human skin. It’s a scrapbook collecting together newspaper articles, leaflets, postcards and letters about, to and from the people of Royston Vasey. It’s fantastic. I can’t recommend it highly enough. Comedy tie-in books are never this good. I bought it as a Christmas present to myself and pored over every page. Nestled towards the back of the book is an illustrated short story called “The Curse Of Karrit Poor,” which I skipped right over. I looked at the pictures, but I never read a word of it and I can’t explain why. I eagerly awaited The League Of Gentlemen ’s Christmas Special that year and when it finally arrived I was not disappointed. The opening sequen

Day 7: “Don’t Bring Your Guns to Town, Santa,” The Partridge Family (1971)

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On the seventh day of Christmas, Jeff Zoerner gave to us… Set the dial on your hot tub time machine for Christmas Eve, 1971. Behold, it’s the Partridge Family, and they’re stranded in a ghost town! While they wait hopefully for an über-butch Keith to effect repairs on the family bus, a lonely old prospector entertains the family in his shack with a fanciful tale of the town’s past glory days. Will Keith fix the bus in time for the clan to make it home for Christmas? Will the senile old hermit’s narrative not suck a fat, greasy one? Can I at long last make it through leering at Laurie for an entire episode without spanking one off? When I was offered this plum assignment, this was the first and only Christmas episode to come to mind. (Why I didn’t instead think of Rudolph the Red-Nosed Reindeer , the definitive Christmas classic, is beyond me.) Its official title is “Don’t Bring Your Guns to Town, Santa”–no relevance to the story, of course, but rather a shameful attempt

Day 6: “The Constant,” LOST (2008)

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On the sixth day of Christmas, Jacob Crites gave to us… The Ending of LOST is still one of the more controversial television events of the past decade. Maybe you thought it was beautiful (like me), maybe you thought it was painfully heavy-handed (like most people), and maybe you thought they were dead the whole time (which they weren’t, you dope. Go watch it again). But if there’s one thing every LOST fan can agree on, it’s that “The Constant” marked a creative and emotionally resonant peak for the show, and is perhaps one of the finest hours of television ever produced. It also happens to be a sort-of-kind-of Christmas episode. But perhaps it’s fitting that LOST ‘s only Christmas episode isn’t really a Christmas episode, because “The Constant” is a LOST episode that isn’t really a LOST episode, or perhaps it is the perfect example of what a LOST episode should be. I really don’t know. LOST was always confusing like that. Now, LOST was such a spectacular show in part becaus

Day 5: “The Strike,” Seinfeld (1997)

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  On the fifth day of Christmas Ryan gives to us… Frank Costanza is without a doubt my favorite character on Seinfeld . For somebody so short-tempered, constantly screaming at those around him over the smallest nuisances, there’s remarkably not a single trace of unlikability to be found in the man. It’s a shame that his death was implied during the reunion story arc of Curb Your Enthusiasm , but with the failure of his “serenity now” relaxation cassette, I suppose it was inevitable. Fortunately, Frank plays a starring role in what’s considered to be one of the most iconic episodes of Seinfeld  produced, season 9’s “The Strike.” You know, the episode where Kramer returns to work at a bagel shop after being on strike for 12 years. Okay, so most people know it as the Festivus episode, where we discover that Frank once invented his own holiday in response to the commercialization and religious aspects of Christmas. Subsequently, this gives us further insight into why George i

Day 4: “Rapture’s Delight,” American Dad! (2009)

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  On the fourth day of Christmas Philip (that’s, uh…me…) gives to us… I sincerely dislike Seth MacFarlane…and yet I love American Dad! It’s seemingly a contradiction, I know, and as much as I’d like to do so, I’m not sure I can explain it. It’s not that the man is entirely without talent. I liked the first few seasons of Family Guy . You know, before it devolved into humorless recreations of other people’s work, and when its jokes came from characterization rather than relentless cruelty. And he is a genuinely funny — if not especially versatile — voice actor. My issue, perhaps, is that he seems to gravitate toward laziness. If Family Guy or The Cleveland Show can resort to a cheap gag, it will. They don’t seem to have any incentive to work harder, to find something more clever, opting instead for a shrug and a wink at the camera that says to the audience, “We know this is stupid. But we’re doing it deliberately, and that’s enough.” American Dad! resorts to che

Day 3: “Christmas Special” Pt. 1 and 2, The Office (2003)

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  On the third day of Christmas, Ben Gallivan gave to us… Now, before we start, we’re not talking about the comparatively sub-par offering that the US series of the same name produced. Granted, I know that the show’s principal writing team were also behind it – but to me it just didn’t transfer as well as it could have so I am writing this as a purist; it isn’t bias, it is plain common sense. In all honestly, I am not totally aware if there was an American edition of the Christmas specials of which you will hopefully be reading more of but even still, I would imagine that the emotion shown by each and every single character (and therefore actor, because that is how The Office works) outshines anything that Mr Carell & Co would have the chutzpah to even try and replicate. And so it begins…Part 1 In January 2001 a BBC documentary crew filmed the everyday goings on in a typical workplace. Now, nearly three years later, we return to find out what has happened to the emp