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Showing posts from March, 2017

Fight, Megaman! (Mega Man 2, 1989)

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Let’s talk about a masterpiece. Mega Man 2 is, simply, a game that cannot possibly be spoken of too highly. It’s one of the most important games of the NES era, and one of the absolute best games overall. It’s not perfect — whatever unhelpful definition of “perfect” we decide to endorse today — but it does much of what it sets out to do perfectly. It’s a finely honed, impressive, addictive, tight, magical experiment that pays dividends far beyond what anybody — gamers, critics, the developers themselves — ever imagined. That’s certainly great. What makes it even better, though, is how little Mega Man 2 actually had to do differently from its predecessor. Almost everything here was already present in Mega Man . All Mega Man 2 had to do to become one of the best-regarded games of all time was tighten the bolts. It singlehandedly demonstrates the importance of polish. In fact, Mega Man 2 feels a bit like a rewrite. Forgive me for going all literary on you, but tha

ANNOUNCING: Larryoke – A Perfect Stream

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As two or three of you know, I used to review ALF . It made me the most famous person on the internet. Anyway, some dope decided to review Perfect Strangers , and he’s halfway through the run, meaning he’ll get his life back sometime in the mid-2030s. To celebrate / pity this milestone, he’s hosting a live stream of six episodes, various surprise goodies, and the requisite profane chatroom. It will be fun, and I’ll be there for sure. There’s also Larryoke, in which Casey, myself, and a few other familiar names get together to sing Perfect Strangers parody lyrics over the backing tracks of popular songs. It’s a great idea because I had it. It all goes down at 8 p.m. EST on Friday, April 14 . As ever, you can sign up to the Facebook event to let it do the timezone calculating. It will also remind you to join us for a terrible 80s sitcom we all still kinda love anyway. Definitely tune in. Even I’m looking forward to it, and I hate everything.

The Devil and Carman Licciardello

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Around this time last year, my girlfriend introduced me to the music of Carman. I’ve been…fascinated ever since. And, to be frank, I’m shocked that he hasn’t been pounced upon by the relentless mockery of the wider internet. Let me be clear at the start: I’m not, by any means, suggesting that Carman Licciardello — who performs under the mononym Carman, the spelling of which makes him sound like a Mega Man villain — should be mocked. I’m certainly not calling upon people to gang up on him or anything along those lines. Period. But I am sort of surprised it hasn’t happened naturally. Carman is a Christian musician. Not a musician who is Christian, but rather a Christian who preaches primarily through music. I’d be tempted to call him a Christian rocker or something, but the guy raps, funks, boogies, honky-tonks, and discos across so many genres that I feel I’d be doing the sheer variety of his output a disservice by calling it anything specific at all. He’s also te