Better Call Saul Reviews: “Mijo” (season 1, episode 2)
Is it too early for Better Call Saul to produce a masterpiece? Maybe. But I’m calling this one anyway. “Mijo” is an incredible piece of television. A tragic comedy in four distinct acts, each showing us another side of James M. McGill, amounting to what is essentially a portrait of the man we will be spending the rest of our episodes with. I’ll start by saying that I cheerfully retract my concern that McGill was already Goodman. While there’s an awful lot of overlap, there’s a crucial difference; McGill has a conscience, and a reluctance to stay at the table after being dealt a lucky hand. It provides us, at least potentially, with an idea of the psychological territory Better Call Saul might chart. What will it take for him to willingly silence his conscience? How much must he stand to gain before he stops saying, “Absolutely not” and starts saying, “Yes, please”? “Mijo” illustrates that very clearly in my favorite scene of the night, but we’ll come to that in du...